Kültürel Bir Gösterge Olarak Bayrak Sembolizmi: Kazakistan Örneği


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Ergül Güvendi N.

INTERNATIONAL CONGRESS OF KAZAKH HISTORY, CULTURE AND LANGUAGE, Ankara, Türkiye, 27 - 28 Aralık 2021, sa.9

  • Yayın Türü: Bildiri / Tam Metin Bildiri
  • Basıldığı Şehir: Ankara
  • Basıldığı Ülke: Türkiye
  • Sivas Cumhuriyet Üniversitesi Adresli: Evet

Özet

FLAG SYMBOLISM AS A CULTURAL INDICATOR: THE CASE OF KAZAKHSTAN

Nurgul ERGUL

Lecturer Cumhuriyet University YMYO Public Relations Promotion Program Department of Marketing and Advertising, nurgulergul@gmail.com Orcid: 0000-0002-9473-1474

 

ABSTRACT

Since the beginning of human history, communication is one of the basic features that distinguishes humans from other living things. The need to be understood, which is one of the basic human needs, has led to the formation of different forms of communication. As visual communication elements; signs and symbols are universal in terms of both interpersonal and intercultural communication. symbols; It is one of the important communication tools in the formation of cultural identity in terms of introducing, making sense and representing things. The use of flags in the form of signs dates back to about 2000 years ago. The flag symbolism used to express the different missions of armies for the nations was used by the Roman cavalry as vexillum flags to represent the lord's army. The use of flags to send messages in wars begins in the Middle Ages, but the coding of flags was seen during the Napoleonic Wars (1799). Flag codes were used by the British as a means of sending messages from ships to shores. In this study, a semiotic analysis of the Flag of Kazakhstan was made, based on the use of symbols as a cultural and strategic position of nations and their use as an element of cultural identity. The Flag of Kazakhstan, designed by Shaken Niyazbekov, was adopted after the collapse of the Soviet Union (1992). The aim of this study is to analyze the Flag of Kazakhstan based on the semiotic analysis method, which is one of the qualitative research methods. Roland Barthes' understanding of semiotics was used in the research. Flag signs were tried to be explained by examining the signifier-signified-indicator elements. As a result of the research: While the main color of the flag, sky blue, represents peace and tranquility in the universal context; In Turkish culture, for Turks who believe in the Sky God religion, blue represents greatness and the divine.

The message to be conveyed with the color of the flag is independence, peace-loving and divine eternity. Blue represents divine grace and forgiveness in Mesopotamia (¹). At the same time, this color symbolizes being one of the seven independent Turkish States. The steppe eagle, which has spread its wings on the flag, represents freedom. The golden stripe on the head of the pennant is the symbol of the Golden Army state and Kazakh culture. Symbolizing the state as a continuation of the Golden Horde State also emphasizes traditionalism. The sun symbol on the flag represents abundance, fertility, enlightenment and peace. The ram horn embroidery, on the other hand, emphasizes the ram in Kazakh national culture: spirituality, spirituality, eternity, devotion to the holy. At the same time, the symbol of the ram, which is believed to have been created from the sky and fire; It expresses tradition, abundance, wealth and respect for the holy. As a result of the research, the main cultural codes in the Flag of Kazakhstan are: independence, peace, tranquility, faith, tradition, enlightenment, wealth and prosperity.

 

Key Concepts: Cultural Symbolism, Kazakhstan Culture, Semiotic Analysis, Cultural Identity